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The
following people are set to be speaking at the International Conference:
Alastair
Rudin Macleod is the Chairman of Hand & Lock
Alastair comes from a tailoring background as did his father and grandfathers
before him on both sides of the family.
In 1998 he acquired M. Hand & Co Limited, the military embroiderers,
and fell in love with embroidery. A merger took place with S. Lock
in 2001 forming the international brand Hand & Lock. He began
the prestigious, international 'Hand & Lock Prize for Embroidery'
(formerly the 'M. Hand Prize for Embroidery') in 2000 with the aim
of promoting the use of hand embroidered surface embellishment within
the fashion and textile industry. The aim is that contemporary design
and fresh approaches can be matched up with the high quality and expertise
expected in the 21st. Century.
The Prize has grown in stature over the years and in 2005 Alastair
commenced a world tour to colleges and universities lecturing on:
1. The origins of embroidery, and its development.
2. Gold and silver wire and military embroidery, and how military
lace and cords are made.
3. An outline of different techniques in hand embroidery, and the
Irish and Cornely machines.
4. A presentation of seminal embroideries eg. The Bayeux Tapestry.
5. A brief history of Hand & Lock est. 1767
6. Aims and details of the 'Hand & Lock Prize for Embroidery'.
7. Contemporary embroidery and its future.
He represents Hand & Lock as an associate member of Savile Row
Bespoke Limited the confederation of Savile Row Tailors.
Francois
Lesage 'master embroiderer' of Lesage Paris.
Heir to a long artistic
tradition in the service of luxury and of clothing distinction.
His work has been hugely influential in the changing face of fashion
during the 20th century. His name is associated with the most striking
designers in high fashion: Madeleine Vionnet's purity; the surrealist
extravagance of Elsa Schiaparelli; the perfection of Balenciaga;
and now the sophistication of Karl Lagerfeld for Chanel.
His creativity and inventiveness are legendary as he experiments
with new materials to keep on developing his techniques and inventing
new ways to adapt to modern textiles, as well as infusing a new
youth to the most classic materials by treating them in a original
way. Through this invention he has excited the couture designers
for many years. His customers are world famous; we count among them
Lanvin, Givenchy, Dior, the late Yves Saint Laurent, as well as
Calvin Klein, Karl Lagerfeld, Thierry Mugler and Jean-Paul Gaultier.
He also undertakes those very rare and special orders for the Church,
such as the robes and mitre of Pope Jean-Paul II.
His work is the object of several exhibitions, notably in New York,
Los Angeles and Tokyo.
Sana Uddin Hand & Lock Studio Manager
Coming soon
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Angus
Howard Cundey MD of Henry Poole & Co (1806), the oldest
company on Savile Row.
He was born in 1937 and
was educated at Framlingham College, Suffolk and did an apprenticeship
at Maison Lanvin, Paris. He also attended the famous Tailor and Cutter
Academy on Gerrard Street. Angus has held many prestigious positions
in the Tailoring world: Past President of the Federation of Merchant
Tailors; Chairman World Congress of Master Tailors 1973; President Master
Tailors Benevolent Association; President Tailors Benevolent Institute,
Livery.Merchant Taylors Company. Director Savile Row Bespoke Association,
Director British Clothing Industries Association.
1806, Pooles had set up
as a military tailor. In 1846, a palatial showroom with a new entrance
opening onto the adjoining street of Savile Row, started the long tradition
of the Savile Row suit. By making a short smoking jacket for the Prince
of Wales in 1860, the now famous Tuxedo was created.
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Sir Tom Baker .
Tom Baker is an accomplished tailor sartorially trained at Hardy Amies. Producing bespoke suits for over 10 years, from his Soho based workshop, Tom has now launched his own ready-to-wear collection, SIR TOM BAKER, within his very own shop of the same name at 4 D’Arblay Street, W1.
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James Sherwood Journalist/Writer/Lecturer
Raymond Honeyman
Raymond's background was originally in textile design, and it was his love of pattern, repeat and rich color which drew him towards tapestry. Raymond Honeyman's needlepoint designs are painstakingly meticulous. He paints every stitch separately so that it's easy to print and stitch the canvas. It's very time consuming but he says he "absolutely loves doing it". "I have all the yarns used in Ehrman kits in my house and I get them out and choose my colors first. I know the atmosphere and mood I want to create with them, and I love playing with them and sorting them out."
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Carne
Griffiths Director and Design Director Hand & Lock
Having trained in illustration
and animation at KIAD Maidstone, and after working for the trimmings
company Emerson Nelmes in East London, Carne undertook a two year
apprenticeship to train in traditional embroidery techniques and preparings
under the exacting eye of Ken Miles, draughtsman for over 50 years
at M Hand & Company, suppliers of military accoutrements and embroidery.
His innate talent and passion for drawing accompanied by the type
of training that can only really be given through an apprenticeship
has provided a solid platform for embroidery design. On the merger
of S Lock with M Hand, Hand & Lock was to give Carne a Directorship
of the company, and an opening into the couture and bespoke fashion
world. His designs for fashion pushes the boundaries and the expectations
of what gold wire embroidery is, whilst borrowing heavily from techniques
which are long forgotten by many but are readily accessible through
the much loved Hand & Lock archive. Among his many interests Carne
has a passion for Outsider art, Animation, Music, and Cycling.
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Emma McClintok Member of the We Like Soup
About We Like Soup: We are textile designers/artists/makers with backgrounds in print, embroidery and constructed textiles and with a shared love of combining traditional textile techniques with the latest digital technologies such as digital print, laser-cutting and digital stitch.
We offer bespoke design services and workshops using a variety of techniques.
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Anthea
Godfrey Principal Lecturer. Postgraduate portfolio-London College
of Fashion. U.A.L and Embroiderers Guild Present Chairman - Emeritus
Member, ExVice Chairman,5 years; Ex Chairman-6 years. F.R.S.A - Fellow
of the Royal Society of Arts . Member-Textile Society - B.A. Hons -
Textiles. London University. Goldsmiths College A.T.D - Textiles. London
University. Goldsmiths College
As an active and well known embroidery
lecturer and examiner, Anthea Godfrey has a detailed and passionate
understanding of the embroidery world from academia to couture. Her
research includes:
" Couture Embroidery- 'Couture Embroidery '……. Worth
onwards'
" Life and work of Margaret Nicholson-Or Nue, beading and metal
threadwork
" The effects of mirage on camouflage in Kenya---print, bead fringing
and or nue.
Teaching Experience
Course Director - A.B.C Diploma in Foundation Studies Art and Design
Mentor - 'Breakaway
Mentor/Director - '4x4'-Professional Textile Group
Mentor - 'E.A.S.T'-East Anglian Stitched Textiile Group
Mentor - Embroiderers Guild Lincold Group
Mentor - Letchworth Settlement Centre- Textiles Group-2007-
Curator - DIDACTEX-Professional H.ETextile Tutors Exhibiting Group
Tutor - Embroiderers Guild -New Zealand
Work in progress - Writing M.A in Surface Pattern course, for validation.
U.A.L start date Oct 2007
Professional/Industrial Experience
City and Guild - External Verifier-U.K. N.Z. U.S.A
A.B.C - External Examiner F.A.D
University of East Anglia - BA Hons External Examiner
BUAC - B.A.Hons External Examiner
Consultant - Knitting and Stitching Show
Lecturer - Embroiderers Guild; Craft University-Denmark; University
of Art and Design Finland
Textile Society - Te Papa Museum Wellington New Zealand
Judge - Pfaff Emb Competition-1996; EEC Textile Competition-1996; Hand
and Lock International Competition Judge-ongoing; Fashion Awareness
Direct Fashion Competition judge-2005; Nairobi Fashion Competition -International
Judge-2005/6
Academic experience
Secondary- 13 years- asst art teacher and pastoral head
LCF - B.Tec Diploma in Fashion Embroidery; B.Tec Diploma in Fashion;
B.Tec H.N.C Embroidery
City and Guild Embroidery Part 1 and 2
A.B.C. Diploma in Foundation Studies art and Design
Examiner AEB; Chief Examiner-AEB; City and Guild External verifier;
'O' and 'A' level Embroidery;
Part 1 and 2---- Embroidery. Costume, Patchwork and Quilting, Decorative
Effects, Machine Embroidery, Miniatures, Fashion, Sewing Techniques,
Tailoring, Lingerie
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